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Author : Hanneke Grootenboer
Date : 2005-05-02
Page : 222
Rating : 4.5
Reviews : 7
Category : Book
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The Rhetoric of Perspective Realism and Illusionism in ~ The book The Rhetoric of Perspective Realism and Illusionism in SeventeenthCentury Dutch StillLife Painting Hanneke Grootenboer is published by University of Chicago Press
The Rhetoric of Perspective Realism and Illusionism in ~ Connecting contemporary critical theory with close readings of seventeenthcentury Dutch visual culture The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image
The Rhetoric of Perspective Realism and Illusionism in ~ Connecting contemporary critical theory with close readings of seventeenthcentury Dutch visual culture The Rhetoric of Perspective puts forth the claim that painting is a form of thinking
The Rhetoric of Perspective Realism and Illusionism in ~ The Rhetoric of Perspective Realism and Illusionism in SeventeenthCentury Dutch StillLife Painting Perspective determines how we as viewers perceive painting We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered
Hanneke Grootenboer The Rhetoric of Perspective Realism ~ 96 SEVENTEENTHCENTURY NEWS Hanneke Grootenboer The Rhetoric of Perspective Realism and Illusionism in SeventeenthCentury Dutch St illLife Painting Chicago and London University of Chicago Press 2005 xiv 208 pp 24 color plates 13 halftone illus 3500 Review by THOMAS DACOSTA KA UFMANN PRINCETON UNIVERSITY
Rhetoric of Perspective Realism and Illusionism in ~ Connecting contemporary critical theory with close readings of seventeenthcentury Dutch visual culture The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image
The Rhetoric of Perspective Realism and Illusionism in ~ The Rhetoric of Perspective Realism and Illusionism in SeventeenthCentury Dutch StillLife Painting Hanneke Grootenboer Perspective determines how we as viewers perceive painting We can convince ourselves that a painting of a bowl of fruit or
THE RHETORIC OF PERSPECTIVE REALISM AND ILLUSIONISM IN ~ THE RHETORIC OF PERSPECTIVE REALISM AND ILLUSIONISM IN SEVENTEENTHCENTURY DUTCH STILLLIFE PAINTING
The rhetoric of perspective realism and illusionism in ~ The rhetoric of perspective realism and illusionism in seventeenthcentury Dutch stilllife painting Hanneke Grootenboer Comparing realistic stilllife paintings to trompe loeils Hanneke Grootenboer shows how deceptive images playfully call attention to the limits of our perception
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